Lady Panhandler: Spare some change? I like you!
Me: Sorry, no change.
Lady Panhandler: I don't like you. Fuck you!
Two blocks further south...
Male Panhandler: Merry Christmas, spare some change?
Me: Sorry, no change.
Male Panhandler: Asshole!

Watching the Joe Strummer documentary the other night got me to thinking about the Clash and the mid-70's punk scene in England and how it is possible for Art to be both Political and Fun. 
The Rebirth of Potluck
Originally uploaded by stereogab
(Photo by dronepop)
Here is my report on the Piper at the Gates of Dawn box set.
"Sympathy for the Devil: Art and Rock and Roll Since 1967 examines the dynamic relationship between rock music and contemporary visual art, a relationship that crosses continents, generations, and cultures. Since the late 1950s this unlikely hybrid of rhythm-and-blues and country music has had an undeniable impact on society while drastically changing with the times. Artists from the 1960s to the present have maintained a strong connection to rock, beginning with Andy Warhol’s involvement with The Velvet Underground (who released their Warhol-produced landmark album The Velvet Underground and Nico in 1967 -- the same year the MCA opened its doors). More recently, artists such as Slater Bradley, Raymond Pettibon, and Mike Kelley have created album covers and music videos for rock bands, while many noted rock musicians such as John Lennon, Bryan Ferry, and Peter Townsend have emerged from art schools. " at Chicago's Museum of Contemporary Art
Hats off to Paul Addis, whose prank at Burning Man resulted in him being arrested for arson. Does anyone see the irony in this?
Caught a great Tortoise show at the Black Cat this past Saturday night. I heard echoes of 70's-era Miles and Faust in their jams. Two drummers are always a good thing.
28 years after Lowell George left his mortal coil in the nearby Key Bridge Marriot, I journeyed out to the pastoral splendor of Wolf Trap to hear Little Feat. I happen to like 10 minute guitar solos so their shows are my cup of tea.
Made the mistake of watching a few minutes of network television this evening. Made an even worse mistake not muting the commercials. So I got to hear The Pogues "Sunny Side of the Street" playing over an ad for a Cadillac SUV. Now I know that song's far from their best, and I know selling songs for ads is old news, but it still sucks. It sucks because Cadillac sucks and SUVs suck and the whole finely-tuned consumer culture corporate juggernaut sucks.
A new Leafy Green song for summer.
Just started reading Guitar Army by John Sinclair and I'm already lovin' the agitprop hippy revolutionary vibe. It's along the lines of Abbie Hoffman's Steal This Book or Jerry Rubin's Do It
The new Clientele album is already my summer soundtrack, and it's not even summer yet (look, they have a blog)
This cool video for the Boards of Canada song"Dayvan Cowboy" uses footage from a skydive by Joseph Kittinger who "made the final jump from the Excelsior III at 102,800 feet (31,330 m). He was in freefall for 4 minutes and 36 seconds reaching a maximum speed of 614 mph (988 km/h) before opening his parachute at 18,000 feet (5,500 m)."
Other Music unveiled their digital store (with the same clunky design of their original web site). I prefer Anthology Recordings, with their uber-obscure sixties/seventies titles and well-written descriptions. Don't know much about Klicktrack but they're the only ones who have this Charlie and Edsor release that I want after reading this post on Great God Pan. Still, nothing beats flipping through the bins of musty vinyl at Joe's Record Paradise.Oh yeah, there was a wedding too.
Here's a new song called New York Squeeze.
They say in Web 2.0 that full disclosure is now the norm, although the phrase nobody sane strips down naked in front of their peers has me a bit worried....

On March 6, 1967 my mother,my father and yours truly departed from Dulles airport outside Washington D.C. bound for Saudi Arabia. My dad had been assigned to the American embassy in Jeddah. We did not know when we would return to America.
You persevered, you didn't lose hope,
Last fall I joined the Galactic Zoo Mix Tape Club. As a club member, I get 6 mix tapes over the course of a year. Last week number 2 showed up and, like number 1, it was full of crazy unknown garage bands, wobbly pop folk wonders, lo-fi space jams and all kinds of crazy sounds from the 60's and 70's. On this recent tape I only recognized two songs: "Who Dat?" by The Jury (which I have on an obscure compilation) and "Ramblin Gamblin' Man" by the Bob Seger Sound System (yes, that Bob Seger).
Take a look at this long article on Joanna Newsom in Arthur.An amusing little interview with Andy Partridge (XTC)
Over the past few weeks I've become addicted to Radio Blog

I recently purchased a compilation entitled "Singing at the Moon" from a U.K. label called Singing Knives. I hadn't heard of any of the artists listed nor the label so it was a bit of a gamble but it came recommended and was the price of a couple of beers (my standard metric for buying music).My favorite track is "Santa Flauta" by the Michael Flower Band, who appear to be influenced by Angus Maclise judging from the manic hand drumming, droning organ, and that most psychedelic of sounds: the flute played through a delay pedal (other practitioners of this technique include Bardo Pond and Meat Beat Manifesto)
There are a couple of tracks I skip through but overall there's an interesting mix of sounds on this disc.
